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Soft Cell's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell alongside Marc Almond at Leeds during 1977

Dave Ball, one half of the innovative 1980s electronic music duo Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the team achieved a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their debut album their initial full-length release is considered a classic of synth-pop.

He later founded the pioneering electronic act The Grid, who achieved popular acclaim with 1994's the hit Swamp Thing.

Ball passed away peacefully in his sleep at his home in London on October 22, only a short time after playing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

At that show, Ball performed in a wheelchair, as he had for the last two years, following a period of health issues.

"I ended up damage myself quite a bit," he stated in a recent interview. "I fractured spinal bones in my back and fractured about five ribs and broke my arm."

After catching pneumonia and suffering from sepsis, he was placed in an induced coma and stayed in the hospital for seven months.

However, he had been in "high spirits emotionally" over the summer, as he was developing a fresh record with Almond, titled the upcoming Danceteria, which is set for publication in the coming year.

"He was concentrated and so happy with the new album that we actually completed only a few days ago," said the vocalist in a heartfelt message.
"It's so sad as next year was completely planned to be such an positive time for him, and I find comfort from the fact that he heard the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond referred to his bandmate as "an exceptionally talented musical genius", adding: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an significant aspect of my existence and for the music you created with me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "constant humor" and "steadfast support".

"Being in a duo with someone is distinct from joining a group, the bond is very tight," he continued.
"That was the case with us. We experienced so many remarkable, extraordinary, life-affirming experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Formative Years

Born into a one-parent family in Chester in 1959, Ball was given up for adoption when he was 18 months old.

He grew up in the seaside town with adoptive parents Donald and Brenda Ball, who changed his given name from his birth name to his adopted name, together with his younger sister Susan, who was similarly welcomed.

He met Almond at Leeds Polytechnic in 1977, where they were both studying fine arts. Fuelled by a shared love of Northern Soul, they established Soft Cell the same year, and promptly produced an EP.

Musical Partnership

The pair were an unusual pairing: Ball was the reserved musician, hunched over his synthesizer, while Almond was a flamboyant showman, all sparkle and eye-liner; but they achieved a unique musical alchemy.

Ball had developed a fascination with electronic instruments after viewing the band Kraftwerk perform on a television program a popular series, and started to marry dark electronica to the catchy tunes Almond was writing.

Tainted Love became the United Kingdom's second most popular song of the early 80s, selling millions of units worldwide. Together with successful tracks by other artists, Human League and electronic acts, it helped cleared the path for the electronic music style of the 1980s.

The track was also included on their first album, Non-Stop Erotic Cabaret, which spawned two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the separate release, Torch, which reached at number two in 1982.

Soft Cell in the studio
The pair were working on fresh songs until just before Ball's death

Professional Journey

Success had its upsides. "I loved being able to afford my initial property, having money and exploring, which might seem like a beauty queen," Ball not long ago shared with a music magazine.

But it also presented challenges. "Newfound wealth meant we could purchase newfound drugs to alleviate the boredom" of media interviews and television shows, Ball said.

"I realize that's a common saying, but it's a cliché for a good reason, because it applies for so many musicians."

Amidst the hedonistic lifestyle, the duo were also drifting apart, but they managed to produce a second classic album - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They released another LP, 1984's This Last Night In Sodom, before ending the group to focus on individual endeavors.

Almond proceeded to have a prosperous individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with melodic sounds over a enduring collaboration.

Later Work and Comebacks

Soft Cell came back together in the early 2000s, releasing the Top 40 record Cruelty Without Beauty.

Following another hiatus, they reappeared in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the O2 Arena on September 30, that year.

However, they stayed together, recording their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently characterized the duo's new album as a homage to the NYC nightlife they visited while recording their first two albums.

He added that his period in hospital had influenced the group's music.

"I had unusual memories when I was coming and going of the hospital because I was on pain medication," he explained to a music magazine.
"Our latest tracks are a digital reflection of the noises in my mind from those days.
"In parallel, it's about the times we got up to in the 1980s."

The final mixes were finished only days before Ball passed away. It is scheduled for launch in Spring 2026.

JP
About the author

John Powell

A heritage consultant with over 15 years of experience in preserving historical sites across the UK.

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